Funding Opportunities from the Embassy of France

Embassy funding logos

The Embassy of France is pleased to remind you that two calls for projects are currently open to support academic collaborations with French partners:

1)      The Nicolas Baudin “internships in France initiative”

The Nicolas Baudin “Internship in France” initiative offers students from participating Australian universities the opportunity to undertake a research internship at a French host university in collaboration with an industry partner. The internship offers are jointly created by the French host university and its industry partner, and when relevant with the Australian partner university if the intern is enrolled within the framework of a pre-existing scientific collaboration.

The Laureates programs in France are co-financed by the Embassy, the hosting university in France and the home university in Australia.

French companies Naval Group and Thales also support this program.

The call for internship topics is now open until 31 January, 2020. The French institutions will propose their topics after discussion with their industry partners. However it is highly recommended that the Australian universities are part of this conversation from the beginning. The most successful projects so far took place as part of a pre-exisiting collaboration between a French and an Australian uni. Therefore we encourage you to contact your French partners, mention the program to them and see how it can be used to nurture your partnerships.

For more information about the program, click here.

2)      The Creative France short program

The Embassy of France in Australia is supporting the establishment of short-term programs in the form of summer (or winter) schools co-organised by French and Australian tertiary education institutions, and bringing together students from both countries around a theme of common interest.

The selected project benefits from the Creative France Australia label as well as financial support from the embassy up to 4000 € (approx. 6300 $ AU, subject to current exchange rate) to contribute toward the organisation costs of the school.

Embassy funding is awarded to the Australian university participating in the project.

The deadline for application is 28 February, 2020.

For more information about the program, click here.

CFP George Rudé Seminar in French History and Civilisation

Joint 66th Society for French Historical Studies Conference and
22nd George Rudé Seminar in French History and Civilisation
7-10 July 2020, Auckland, NZ

‘France and Beyond: the Global World of ‘Ngāti Wīwī’.
[Tribe ‘Oui Oui’ was the local name for the French in nineteenth-century NZ.]

In July 2020 to a theme of ‘France and Beyond’, the first ever joint meeting of the George Rudé Seminar and the Society for French Historical Studies Conference will be held in Auckland.  This special conference marks a departure from the norms of both societies while preserving and promoting the atmosphere and the intimacy of intellectual exchange nurtured and valued by both.  It brings closer together chercheurs and scholars of French History, and welcomes those members of the wider global fraternity of French Historians to ally themselves to their colleagues in Auckland.  Leading scholars from the US, UK and Europe will be keynote guests including Professor Sophie Wahnich, Directeur de l’institut interdisciplinaire d’anthropologie du contemporain (IIAC) CNRS, Professor Pierre Serna, Director of the IHRF, Paris I, Sorbonne, and Dan Smail, Professor of History at Harvard University,  and many American and international colleagues have already signalled their intention to attend.

The organisers invite the submission of panels, roundtables, and individual papers (papers should be fifteen to twenty minutes) on any aspect of French History, Medieval to Contemporary.  Areas of traditional French historical research will be featured alongside popular themes: Citizenship in the Medieval and Early Modern European world; the Revolutionary period and its environmental impact in the wider Atlantic world; and changing approaches to French or Franco-British History in the NZ/Australasian and Pacific region – in Océanie.

Please submit proposals of 300 words per speaker and a biographical profile of 100 words.  Panels will of course be welcome if the panellists are all committed to coming to NZ. Comment will be by the audience, and we would welcome volunteers who would be willing and able to chair sessions.  The deadline for proposals is 15 January 2020.

Please allow us to remind you that participants from North America must be members in good standing of the Society for French Historical Studies.  Other scholars are warmly invited to join the Society, as well, although there is no obligation to do so.

For any other questions do not hesitate to contact

 

Entre les frontières Screening + In Conversation in Brisbane 27 November 6 pm

Between Fences (Entre les frontières)

by Avi Mograbi 

In conversation with

Professor Alison Levine

and

Professor Catherine Wihtol de Wenden

at the Australian Cinémathèque, QAGOMA

6 pm on 27 November 2019

 

BetweenFences2.jpg

 

Between Fences (2016) follows African asylum seekers held in the Negev Refugee Centre in Israel. Through a theatre workshop, the participants question the status of refugees and what compelled them to leave behind their possessions to plunge into the unknown. The film questions how Israel, a land of refugees, treats exiled people fleeing genocide, war and persecution, and offers theatre as a possible means of exchange and understanding.

The film will be preceded by an In Conversation between Professor Alison Levine (University of Virginia) and Emeritus Professor Catherine Wihtol de Wenden (SciencesPo Paris) about the representation of refugees and asylum seekers in documentary film. Professor Wihtol de Wenden is a political scientist and expert on European citizenship and migration who has recently published on memory of immigration and immigrant memory. Professor Levine is an expert in French documentary film who has published on nation, space and boundaries. Her books include Vivre Ici: Space, Place and Experience in Contemporary French Documentary and Framing the Nation: Documentary Film in Interwar France.

The film is in Hebrew, Tigrigna, and Arabic with English subtitles. Release date: 11 January 2017

This event is held in conjunction with the “Crossing Boundaries: Language, Culture and Migration Symposium” organised by the School of Languages and Cultures at the University of Queensland with presenting partner the Australian Cinémathèque, QAGOMA. This is also part of “France Australian Conversations” program funded by the French Embassy and Alliance Française.

https://www.qagoma.qld.gov.au/whats-on/cinema/programs/in-conversation-film-between-fences

 

The Laura Bassi Scholarship

The Laura Bassi Scholarship was established by Editing Press in 2018 with the aim of providing editorial assistance to postgraduates and junior academics whose research focuses on neglected topics of study, broadly construed, within their disciplines. The scholarships are open to every discipline and are awarded thrice per annum: December, April, and August. All currently enrolled master’s and doctoral candidates are eligible to apply, as are academics in the first five years of their employment. There are no institutional, departmental, or national restrictions.

Deadline

Winter 2019

  • Deadline: 25 November 2019
  • Results: 15 December 2019

How to Apply

Applicants are required to submit a completed application form along with their CV using the application portal on the Editing Press website by the relevant deadline. For more information about the Scholarship, including the application form, previous winners, and a brief description of the remarkable figure of Laura Bassi, see: https://editing.press/bassi

CFP French Historical Studies: Music and French History/La musique et l’histoire française

Call for Papers from French Historical Studies: Music and French History/La musique et l’histoire française

The editors of French Historical Studies seek articles for a special issue on music in the Francophone world to appear in 2022.

The history of the music of France has traditionally been studied as a separate category without the same robust interest as other cultural artifacts such as film and literature. More recent scholarship illuminates the place of music in French society and suggests that more work should be done to sketch out the particular place of music in all its forms in French history.

This special issue of French Historical Studies proposes to take stock of and advance this historiographical renewal. What can the production and consumption of music tell us about the shifting nature of French identity and the relationships among various constituencies in French history?

We seek a wide range of approaches to reflect the variety of recent scholarship, which includes music from outside the Hexagon. We define music in the most inclusive way to cover art music, religious music, and popular music, as well as its producers, interlocutors, and audiences.

We encourage submissions that assess the changing spaces of musical production, development of music industries, variations in media (sound recording, video, and file sharing as examples), the conditions of circulation. Music remains ubiquitous today in France, but we should look beyond the notion of sonic wallpaper and understand the particular meanings ascribed to music throughout French history. What did music mean to medieval and prerevolutionary listeners, and whom was it for? How did technological changes transform the meaning of music? Does music serve as a form of citizenship for the French?

Submissions on all periods, from medieval to contemporary, are welcome. Transnational perspectives that look at music within global and connected histories are particularly encouraged, but there should be a Francophone aspect to that history to connect it with the journal’s scholarly interests. The journal is also interested in multimedia and digital opportunities for journal articles.

Queries about submission and other matters should be addressed to the guest editors: William Weber (william.weber@csulb.edu) and Jonathyne Briggs (jwbriggs@iun.edu).

To submit an article, visit http://www.editorialmanager.com/fhs/default.aspx. After registering, follow the submission instructions under “Instructions for Authors” on the website. Articles may be either in English or in French but must in either case conform to French Historical Studies style and must be accompanied by 150-word abstracts in both French and English. Manuscripts should be between 6,000 and 8,000 words. For any illustrations, musical scores, and audio clips, authors must obtain written permission for both print and online publication from the relevant persons or institutions.

The deadline for submissions is September 1, 2020.

 

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Les éditrices de French Historical Studies lancent un appel à articles pour un numéro spécial sur la musique, à paraître en 2022.

L’histoire de la musique a généralement été étudiée comme une catégorie à part. Elle n’a pas suscité le même intérêt parmi les historien(ne)s que d’autres objets culturels tels que les films ou la littérature. L’historiographie la plus récente éclaire la place de la musique dans la société française et suggère qu’il reste encore beaucoup à faire pour constituer un ensemble de connaissances historiques sur son rôle dans l’histoire.

Ce numéro spécial de FHS voudrait faire le bilan de nos savoirs et les orienter vers des pistes de recherche nouvelles. Qu’est-ce que la production et la consommation de la musique nous disent de la nature évolutive de l’identité française et des relations entre ses divers constituants ?

Nous souhaitons que ce numéro de FHS reflète la grande variété des usages historiographiques de la musique, en France mais aussi dans le monde francophone. Notre conception de la musique embrasse une diversité de genres pour couvrir la musique populaire, classique ou religieuse, mais aussi ses producteurs et productrices, ses praticien(ne)s et ses différents publics.

Les propositions devront prêter attention aux différents espaces de la production musicale, au développement des industries de la musique, aux divers médias (enregistrement sonore ou vidéo, partage de fichiers, etc.) et aux conditions de leur circulation. La musique reste omniprésente dans la France d’aujourd’hui, mais il nous faut regarder au-delà de la musique d’ambiance et comprendre la signification particulière attribuée à la musique tout au long de l’histoire française. Que signifiait la musique pour les personnes au Moyen Age ou dans la France pré-révolutionnaire, et à qui était-elle destinée ? Comment les changements technologiques ont-ils transformé le sens de la musique ? La musique renvoie-t-elle à une forme de citoyenneté pour les Français(es) ?

Toutes les périodes de l’histoire entrent dans notre champ d’investigation, de l’époque médiévale à nos jours. Les perspectives transnationales, qui s’intéressent à la place de la musique au sein d’une histoire globale et connectée, sont particulièrement encouragées, à condition qu’elles intègrent une dimension francophone. FHS est également attentif aux possibilités d’intégrer des dimensions multimédia ou numériques aux articles.

Les propositions d’articles, ainsi que toutes vos questions, sont à adresser à nos éditeurs invités : William Weber (william.weber@csulb.edu) et Jonathyne Briggs (jwbriggs@iun.edu).

Pour soumettre un article, veuillez consulter http://www.editorialmanager.com/fhs/default.aspx. Après vous être enregistré(e), suivez les instructions de la section « Instructions for Authors ». Les articles peuvent être soumis en anglais ou en français, mais, dans les deux cas, ils doivent être conformes au style de FHS, et doivent être accompagnés d’un résumé de 150 mots rédigé à la fois en français et en anglais. Les manuscrits doivent comporter entre 6 000 et 8 000 mots. Concernant les illustrations, les autrices et les auteurs doivent obtenir la permission écrite de les publier sous forme papier et digitale de la part des personnes dépositaires des droits sur ces images ou extraits sonores, ou de la part des responsables des institutions d’où les images et la musique sont originaires.

La date limite pour soumettre les articles est fixée au 1 septembre 2020.

Registration Open for ASFS2019 Sydney

front facadeRegistration for ASFS2019 “Making and Breaking the Rules” hosted by University of New England and Western Sydney University is now open. Get in quick before Early-bird registration closes on 4 September.

To register, follow this link and use our online store. Choose the registration package that suits you and please fill in the registration form which should be submitted separately to the conference organisers.

You will find all relevant conference information updated regularly on the conference web page.

A bientôt, à Sydney.