Entre les frontières Screening + In Conversation in Brisbane 27 November 6 pm

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Between Fences (Entre les frontières)

by Avi Mograbi 

In conversation with

Professor Alison Levine

and

Professor Catherine Wihtol de Wenden

at the Australian Cinémathèque, QAGOMA

6 pm on 27 November 2019

 

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Between Fences (2016) follows African asylum seekers held in the Negev Refugee Centre in Israel. Through a theatre workshop, the participants question the status of refugees and what compelled them to leave behind their possessions to plunge into the unknown. The film questions how Israel, a land of refugees, treats exiled people fleeing genocide, war and persecution, and offers theatre as a possible means of exchange and understanding.

The film will be preceded by an In Conversation between Professor Alison Levine (University of Virginia) and Emeritus Professor Catherine Wihtol de Wenden (SciencesPo Paris) about the representation of refugees and asylum seekers in documentary film. Professor Wihtol de Wenden is a political scientist and expert on European citizenship and migration who has recently published on memory of immigration and immigrant memory. Professor Levine is an expert in French documentary film who has published on nation, space and boundaries. Her books include Vivre Ici: Space, Place and Experience in Contemporary French Documentary and Framing the Nation: Documentary Film in Interwar France.

The film is in Hebrew, Tigrigna, and Arabic with English subtitles. Release date: 11 January 2017

This event is held in conjunction with the “Crossing Boundaries: Language, Culture and Migration Symposium” organised by the School of Languages and Cultures at the University of Queensland with presenting partner the Australian Cinémathèque, QAGOMA. This is also part of “France Australian Conversations” program funded by the French Embassy and Alliance Française.

https://www.qagoma.qld.gov.au/whats-on/cinema/programs/in-conversation-film-between-fences

 

The Laura Bassi Scholarship

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The Laura Bassi Scholarship was established by Editing Press in 2018 with the aim of providing editorial assistance to postgraduates and junior academics whose research focuses on neglected topics of study, broadly construed, within their disciplines. The scholarships are open to every discipline and are awarded thrice per annum: December, April, and August. All currently enrolled master’s and doctoral candidates are eligible to apply, as are academics in the first five years of their employment. There are no institutional, departmental, or national restrictions.

Deadline

Winter 2019

  • Deadline: 25 November 2019
  • Results: 15 December 2019

How to Apply

Applicants are required to submit a completed application form along with their CV using the application portal on the Editing Press website by the relevant deadline. For more information about the Scholarship, including the application form, previous winners, and a brief description of the remarkable figure of Laura Bassi, see: https://editing.press/bassi

CFP French Historical Studies: Music and French History/La musique et l’histoire française

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Call for Papers from French Historical Studies: Music and French History/La musique et l’histoire française

The editors of French Historical Studies seek articles for a special issue on music in the Francophone world to appear in 2022.

The history of the music of France has traditionally been studied as a separate category without the same robust interest as other cultural artifacts such as film and literature. More recent scholarship illuminates the place of music in French society and suggests that more work should be done to sketch out the particular place of music in all its forms in French history.

This special issue of French Historical Studies proposes to take stock of and advance this historiographical renewal. What can the production and consumption of music tell us about the shifting nature of French identity and the relationships among various constituencies in French history?

We seek a wide range of approaches to reflect the variety of recent scholarship, which includes music from outside the Hexagon. We define music in the most inclusive way to cover art music, religious music, and popular music, as well as its producers, interlocutors, and audiences.

We encourage submissions that assess the changing spaces of musical production, development of music industries, variations in media (sound recording, video, and file sharing as examples), the conditions of circulation. Music remains ubiquitous today in France, but we should look beyond the notion of sonic wallpaper and understand the particular meanings ascribed to music throughout French history. What did music mean to medieval and prerevolutionary listeners, and whom was it for? How did technological changes transform the meaning of music? Does music serve as a form of citizenship for the French?

Submissions on all periods, from medieval to contemporary, are welcome. Transnational perspectives that look at music within global and connected histories are particularly encouraged, but there should be a Francophone aspect to that history to connect it with the journal’s scholarly interests. The journal is also interested in multimedia and digital opportunities for journal articles.

Queries about submission and other matters should be addressed to the guest editors: William Weber (william.weber@csulb.edu) and Jonathyne Briggs (jwbriggs@iun.edu).

To submit an article, visit http://www.editorialmanager.com/fhs/default.aspx. After registering, follow the submission instructions under “Instructions for Authors” on the website. Articles may be either in English or in French but must in either case conform to French Historical Studies style and must be accompanied by 150-word abstracts in both French and English. Manuscripts should be between 6,000 and 8,000 words. For any illustrations, musical scores, and audio clips, authors must obtain written permission for both print and online publication from the relevant persons or institutions.

The deadline for submissions is September 1, 2020.

 

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Les éditrices de French Historical Studies lancent un appel à articles pour un numéro spécial sur la musique, à paraître en 2022.

L’histoire de la musique a généralement été étudiée comme une catégorie à part. Elle n’a pas suscité le même intérêt parmi les historien(ne)s que d’autres objets culturels tels que les films ou la littérature. L’historiographie la plus récente éclaire la place de la musique dans la société française et suggère qu’il reste encore beaucoup à faire pour constituer un ensemble de connaissances historiques sur son rôle dans l’histoire.

Ce numéro spécial de FHS voudrait faire le bilan de nos savoirs et les orienter vers des pistes de recherche nouvelles. Qu’est-ce que la production et la consommation de la musique nous disent de la nature évolutive de l’identité française et des relations entre ses divers constituants ?

Nous souhaitons que ce numéro de FHS reflète la grande variété des usages historiographiques de la musique, en France mais aussi dans le monde francophone. Notre conception de la musique embrasse une diversité de genres pour couvrir la musique populaire, classique ou religieuse, mais aussi ses producteurs et productrices, ses praticien(ne)s et ses différents publics.

Les propositions devront prêter attention aux différents espaces de la production musicale, au développement des industries de la musique, aux divers médias (enregistrement sonore ou vidéo, partage de fichiers, etc.) et aux conditions de leur circulation. La musique reste omniprésente dans la France d’aujourd’hui, mais il nous faut regarder au-delà de la musique d’ambiance et comprendre la signification particulière attribuée à la musique tout au long de l’histoire française. Que signifiait la musique pour les personnes au Moyen Age ou dans la France pré-révolutionnaire, et à qui était-elle destinée ? Comment les changements technologiques ont-ils transformé le sens de la musique ? La musique renvoie-t-elle à une forme de citoyenneté pour les Français(es) ?

Toutes les périodes de l’histoire entrent dans notre champ d’investigation, de l’époque médiévale à nos jours. Les perspectives transnationales, qui s’intéressent à la place de la musique au sein d’une histoire globale et connectée, sont particulièrement encouragées, à condition qu’elles intègrent une dimension francophone. FHS est également attentif aux possibilités d’intégrer des dimensions multimédia ou numériques aux articles.

Les propositions d’articles, ainsi que toutes vos questions, sont à adresser à nos éditeurs invités : William Weber (william.weber@csulb.edu) et Jonathyne Briggs (jwbriggs@iun.edu).

Pour soumettre un article, veuillez consulter http://www.editorialmanager.com/fhs/default.aspx. Après vous être enregistré(e), suivez les instructions de la section « Instructions for Authors ». Les articles peuvent être soumis en anglais ou en français, mais, dans les deux cas, ils doivent être conformes au style de FHS, et doivent être accompagnés d’un résumé de 150 mots rédigé à la fois en français et en anglais. Les manuscrits doivent comporter entre 6 000 et 8 000 mots. Concernant les illustrations, les autrices et les auteurs doivent obtenir la permission écrite de les publier sous forme papier et digitale de la part des personnes dépositaires des droits sur ces images ou extraits sonores, ou de la part des responsables des institutions d’où les images et la musique sont originaires.

La date limite pour soumettre les articles est fixée au 1 septembre 2020.

Registration Open for ASFS2019 Sydney

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front facadeRegistration for ASFS2019 “Making and Breaking the Rules” hosted by University of New England and Western Sydney University is now open. Get in quick before Early-bird registration closes on 4 September.

To register, follow this link and use our online store. Choose the registration package that suits you and please fill in the registration form which should be submitted separately to the conference organisers.

You will find all relevant conference information updated regularly on the conference web page.

A bientôt, à Sydney.

 

CFP: FATFA 2020 Conference in Brisbane

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The French Teachers Branch of the Modern Language Teachers Association of Queensland invites you to the 2020 Conference of the Federation of Associations of Teachers of French in Australia  

Making Connections: Engaging 21st Century Learners of French in the Pacific 

3rd – 5th July 2020 –  Emmanuel College, University of Queensland, Brisbane

How do we and how can we teach French here and now in ways which engage diverse groups of learners?   

This conference invites reflection on the theme of engaging learners of French in the contexts in which we teach. We invite proposals for presentations and workshops on:

  •        Connecting with French speaking communities (in our local context or elsewhere) 
  •        Teaching French as a regional language of the Pacific 
  •        Retention; attrition; barriers and enablers to participation in language education 
  •        Learner motivation 
  •        Inclusivity and teaching diverse groups of learners 
  •        Engaging non-traditional learners  
  •        Work-Integrated learning 
  •        Teaching French in an age of technology 

Please note that although our inspiration is the Australian curriculum, we are interested to hear about projects carried out in other contexts which relate to the theme of learner engagement 

The conference organizing committee invites proposals for: 

Papers (20 minutes + 10 minutes of questions) 

  •        Individual presentations of research or practice + 10 minutes for questions 
  •        Panels of three papers dealing with the same theme 

In your proposal, please indicate: 

  • if it is primarily presenting research, practice-based research or practice 
  • your av requirements (powerpoint projection; internet) 
     

Workshops (60 minutes or 90 minutes) 

·         Workshops give participants the opportunity to participate in activities and/ or explore resources hands-on.  

In your proposal, please indicate: 

  • what the goal of the workshop is and what kind(s) of activities participants will undertake. 
  • the maximum size for your workshop 
  • any av or furniture requirements (tables/ clear space allowing movement etc)  

Languages of the conference: French and English.   

Submit proposals (your details plus 150 – 200 word description of your session)  

by: 1st February 2020  to: FATFA2020conference@gmail.com 

 

Extended deadline: ASFS/AJFS Postgraduate Prize

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The Australian Society for French Studies and the Australian Journal of French Studies are pleased to announce the fifth annual co-sponsored ASFS/AJFS Postgraduate Prize.

A prize of $500 will be awarded for the best article (4,000-6,000 words inc. notes) by a postgraduate student on any aspect of French Studies (except French language studies). The prize will be awarded at the annual ASFS Conference in Sydney https://australiansocietyforfrenchstudies.com/events/asfs-conference/ in December 2019, and the winning article will be published in a ‘miscellaneous’ issue of AJFS.

Applicants must be enrolled in a research higher degree at an Australian university and be a member of ASFS. Previous prize recipients are not eligible to submit an article. Articles may be written in English or French and must be presented according to AJFS style guidelines (see http://online.liverpooluniversitypress.co.uk/loi/ajfs or http://artsonline.monash.edu.au/australian-journal-french-studies/. They will be assessed by a joint ASFS/AJFS judging committee which may call upon relevant expertise in its deliberations.

The deadline for submissions for the prize is 15 August 2019. The winner will be announced in December 2019.

Submissions and enquiries relating to the ASFS/AJFS Postgraduate Prize should be directed to ASFS’s Postgraduate Officer, Sophie Patrick at sophie.patrick@une.edu.au.

Véronique Duché, President of ASFS
Brian Nelson, Editor of AJFS